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The story revolves around a notorious guy Sreenath Prasad aka Seenu from Ooty who creates a ruckus wherever he goes. He drops out from his college is Ooty to join another in Bangalore. All his neighbors and people of town are happy with his going as he always used to create a mess. He goes to Bangalore and falls in love with Sunaina played by Ileana D’Cruz. But the love story doesn’t go according to as planned as local cop cum bullying menace Angad played by Arunoday Singh forces Sunaina to marry him.
This ain’t the end to all this drama because now enters Ayesha played by Nargis Fakhri who is deeply in love with our hero Seenu. Father of Ayesha is a don who wants to force Seenu to marry his daughter. In order to do so he kidnaps Sunaina, so as to lure Seenu to Bangkok and forcefully make him marry his daughter. Watch the movie as they try to solve their love problems, facing all the difficulty in deciding that who’s the right one for them and who is in love with whom.
This romantic comedy is a must watch to have a good laughter, but I would recommend to keep your brain at home before viewing, because this doesn’t involve much of thinking to get what actually is going on in the movie.
This story is all about how a couple starts conflicting in a marriage. “SHAADI” is the next step to “PYAAR”. In this movie, the lead role is of Siddharth played by Farhan Akhtar and Trisha played by VidyaBalan. Sid and Trisha are in love and their love life eventually takes the turn of marriage. Everything goes well with two earning people and no baby, but this doesn’t last long as soon Trisha gets pregnant and gets all moody. Sid tries to cope up but it gets really frustrating about it. Trisha quits her job with lowers the family income. On friend’s advice, Sid starts reading pregnancy books and follow Trisha’s chores by putting up a balloon over his own belly. After a while Trisha gives birth to a baby gal and gives all her time to her offspring. This agitates Sid further as Trisha has no time for her making him very desperate. Trisha’s mother has a presumption that Sid is a careless person n won’t be able to cater to Trisha and her daughter’s needs. Sid feels bad about it and tries his best to be a family guy. But on one day, when Sid takes his daughter out for a walk, he forgets her in the market. Sid is really depressed with all this and goes to Trisha’s brother law Ranveer, who poses a character of any ideal family guy. Ranveer confesses that even he gets frustrated and what he does is go out with an excuse of office trip and stays in a hotel enjoying a bachelor life. Sid takes this idea and does the same. After a while he had to stop this reason being Trisha gets an expensive governess so Sid had to cut down on his expenses.
The story revolves around how Sid tries to struggle through all this problem of marriage, trying ever other alternative of becoming a family guy and proving her mother-in-law wrong. Watch the movie as things slowly unfold with high drama and hilarious dialogues. First half of the movie is very interesting but the second half is a bit of a drag.
First time ever in Indian film, audiences will be
experiencing the thrill of blurred out assets. It’s because of Ragini MMS 2’s
achievement. They have managed to put on a patch on Sunny Leone’s bosom, and
the rest has been kept intact, wandering around in cold night in a haunted
house wearing expensive lingerie. There’s even girl on girl action, what with Sunny
and SandhyaMridul are seen getting lip locked. This is as erotic as an Indian
horror film can possibly gets. This movie is termed not as a horror movie, but
as a “HORREX” movie as it contains both horror and sex.
Reviewing the predecessor Ragini MMS had the Paranormal
Activity style camera which worked did wonders for a home brewed haunted story
in the original. The sequel flips to a whole new episode and follows the story
line of Bollywood movie “Conjuring”. The story follows the same pattern as of
conjuring describing a ghost of a women who killed her own children. In this,
the ghost possess Sunny Leone, who plays the role of Ragini. In Ragini MMS 2
what they are basically doing is shooting the movie Ragini MMS.
It was the static of a hidden camera catching paranormal
movements in a desolate house that made Ragini MMS an effective horror movie.
In the sequel though, the director trades scares for cheap erotica. You have a
shower scene, where thrills and spills are abreast. You have seduction in a
lake; you have a dreamy love-making scene and almost every excuse in the trashy
horror textbook allowing Sunny Leone to show off her million-dollar assets. She
gives a decent performance too, if you don’t mind the accented Hindi and
plunging neckline.
HORROR+SEX. It seems like a fitting description of Ragini
MMS 2. But all said and done, the moments of horror were quite effective. Few
scenes could even make you jump off from your seats. There have been jokes
about porn stars not being good actor or actress, but in this, Sunny does give
them a mouth shut answer which is actually cute.
The reason most of the people will watch Ragini MMS 2 is because
of the top charting songs, Baby Doll and Chaarbottal vodka. The total package
of the movie including the sexy curves of Sunny, Honey Singh’s rap song and of
course all the ghost stuff bring about a satisfactory level of contemplation
among the viewers.
Gang Of Ghosts is the remake of ‘Bhooter Bhabhishyat’ in Bangla. Satish Kaushik makes of it a pastiche that is neither here nor there : not ghastly, or ghostly, enough to be inhumed, nor adequate to be praised, simply a issue that limps on. Parambrata, reprising his role from the first as a commercial film maker, shows up at a mansion that could be a‘bhooton ka basera’.
Sharman Joshi plays a author who features a story choked with ghosts, and who is dying to form a movie of it.
A past heroine overdoing the twang, a Sikh Army man, a toothed zamindar, a British master, a somebody rock musician, a loverl girl in a mini-skirt, and so on.
Gang of Ghosts goes into convulsions of regularity evoked although some badly-written songs recreating a nasal longing and through completely different reminder tasteless photography wherever the photographer (Johnny Lal) looks to quickly lose interest within the aura of the time. The reminder gray conveyance of title associate era gone-by begin to pale and crumble in time.
BEWAKOOFIYAAN: A film too easy to celebrate its existence! [1.5/5] Every creation of art; be it of a pure commercial aspect or for the approval of one’s inner conscious, needs to have a motive, a reason behind its very existence. Sadly, YashRaj Films’ BEWAKOOFIYAAN doesn’t show any sign of having it. I tried looking for it, genuinely. In fact, it is one of those rare romantic comedies where you find the contagious essence of romance missing from the air.
All you take out from this dull, unexciting, blatantly too easy love-story is disappointment, exhaustion, drowsiness and a sense of doubt on your sensibility as why did I make the decision to bet my money on it at the first place. Just before getting sacked from his well-paid job in the airlines sector, Mohit [Ayushmann Khurrana] had enough convincing reasons to make his life a big blasting party. A never complaining girlfriend Mayera [Sonam Kapoor], well almost; promotion in the job, brand new car and a Gold ranked credit card with massive credit-limit! Life is smooth, fast and lavish. Until comes his soon-to-be father-in-law [Rishi Kapoor, the only relief] in the scene; a strict retired IAS officer having close connections with Home Secretary and the head of Police in the state.
No prizes for guessing, the love-story takes the much expected turn to be on the ‘Meet the parents’ route. As if it was really manageable, Mohit is jobless due to recession hitting the aviation industry. Next is the potholed ride to impress the father and keeping the love alive between two. Directed by Nupur Asthana, BEWAKOOFIYAAN is a big let down for Habib Faisal who adeptly has been a pillar in the writing for DO DOONI CHAAR, BAND BAAJA BAARAT & ISHAQZAADE. The wit, rust and textured appeal to the lingo is not a complete miss here but not sharp enough too to create some stimulation. It is a film that runs at a certain pace and forgets to take off. The only part that manages to pull my attention to add some novelty to the part is where Mayera bursts in complain over Mohit for doing her bit of ‘sacrifices’ to not go shopping for a new pair of sandals since his ‘jobless’ status. It is funny but more than that, it has a connecting authenticity to Sonam’s character. I was looking for more of this kind.
Performances here are absolutely average at the most. Sonam’s role of a less crabby-all supportive girlfriend has some unseen flares but with her limitations, it goes for a toss. Ayushmann too is very constrained in terms of exhibiting his emotions. Though, he does seem comfortable in comic parts. If anyone here is really much more than what one expects, is the inimitable Rishi Kapoor. His energy, his aura and his gifted ability to slip in the characters he plays is terrifically tranquil even in such shaky circumstances.
Some relief! Romantic comedies are judged best by the youngsters in love, provided it does have some blazing romantic scenes, an exploding chemistry between the lead, hardcore emotions and some good laughs to make their time together a pleasurable experience to cherish. Deeply dejected in my heart and with all my guts gathered at one, I announce that BEWAKOOFIYAAN lacks most of the above.
Rating ---[1.5/5]
It all starts with a celebration mode associate degree bangle crinkling echoes with all kins sharing the joyful arrangement of an Indian wedding. Then our Punjabi Queen, Kangana Ranaut seems on the screen with a shiny smile on her face.
The abundant talked regarding picture Queen has it all that may cause you to convinced to look at this flick that maybe portrays Kangana's one amongst the most effective ever performances until date. Queen is all a couple of conservative Punjabi woman, Kangana Ranaut as Rani who gets dumped by her fiancé Rajkumar Rao simply 2 days before the wedding.
But rather than sulk around Rani decides to go her honeymoon alone. Rani is frightened, a little dorky, very soft spoken, confused, a new world that she thinks is it might kill her. That character makes Kangana the right heroine for a picture show that bends the foundations of ‘small city woman in an exceedingly massive city’ comedies.
In one funny early scene Rani keeps exploit from the Eiffel tower as if it's chasing her everyplace. Later she downs some drinks for the primary time in her life an duproariously wails concerning her life coming back to an finish. There area unit many character moments like these, and it’s this type of meta temperament exploration that keeps the glaze over the trapdoor of clichés. Kangana’s is that the heart and soul of Queen and she doesn't strike one false note. It is a performance that ought to outline not solely her career from here on, however additionally the fate of any young movie industry actorss seeking to push the boundaries of what's acceptable among the framework of the business Hindi film industry. But additionally do spare an inspiration for Rajkummar Rao, who plays the totally unlikeable, if not out and out objectionable, Vijay Dhingra. Don’t miss Queen for anything. You will Surely love this movie.
